No one knows the truth about Agatha Christie’s mysterious disappearance in 1926. We can all surmise from what we do know, but what we don’t know we can perhaps weave a story around. This is exactly what Andrew Wilson has done in this exciting novel, a must for all Christie fans.
In a strange turn of events it is Christie who has to contemplate murder rather than write about it in her popular growing novels. Can she actually commit a crime?
The majority of the novel is told from Agatha’s point of view, we learn of the effect the loss of her mother has had on her, the breakdown of her marriage and the devotion to her child. Is it these things that could possibly drive her to commit a murder?
The rest of the novel’s narrative is told in a different way and we see an outsider trying to use the mysterious disappearance to further her career. Using methodology that would not look out of place in any of the Poirot and Marple books it seems that perhaps someone has inadvertently stumbled upon the true reason for the disappearance. Can the truth be revealed before it is too late?
Of course in true Christie style with perhaps a slightly more darker graphic side to events not normally found in her novels, the truth is revealed which will perhaps shock readers. But then did you see what was happening, did you spot the red herrings, the obvious clues. No? I didn’t and that is probably what makes this a very clever novel.
We will never know the true story of those ten days of disappearance in 1926. Not even Christie herself refers to them. But a theory or a possibility that it might not have been all that it seems, gives you an excellent start to a story.
If you are a fan of Golden Age Murder or of Christie herself this makes an excellent read as it celebrates what is at the core of Christie’s novels and how they still work years after they were published and are as popular today as then.
A Talent for Murder is published on the 18 May.